I had the Cosi turkey and stuffing with cranberry sauce sandwich for lunch today. I kept expecting Xzibit to pop up. “Yo dawg, I herd you like bread…”
friscalating dusklight
well, then that happened.
About the author
27/female/NYC - Enjoys poetry, and dancing like an idiot, and singing songs even without knowing all the words, and laughing. Especially laughing.
Wednesday: You have taken the land which is rightfully ours. Years from now my people will be forced to live in mobile homes on reservations. Your people will wear cardigans, and drink highballs. We will sell our bracelets by the road sides, you will play golf, and enjoy hot hors d’oeuvres. My people will have pain and degradation. Your people will have stick shifts. The gods of my tribe have spoken. They have said, “Do not trust the Pilgrims, especially Sarah Miller.”
Amanda: Gary, she’s changing the words.
Wednesday: And for all these reasons I have decided to scalp you and burn your village to the ground.(via monkeyknifefight)
pardon me, i'll return shortly
Curling up into a little ball and plugging my fingers in my ears so I don’t have to listen to anybody.
![thedailywhat:
Origami of the Day: Money Hats. That is all.
[via.]
Alexander Hamilton was such a sexy beast.](http://10.media.tumblr.com/tumblr_ktewaahHKu1qzpwi0o1_500.jpg)
Robert Walker & Laura Elliot in Strangers on a Train (1951, dir. Alfred Hitchcock)
In one of Hitchcock’s most famous shots, Strangers on a Train’s pivotal murder is seen as reflected in a pair of glasses. Hitchcock & his director of photography, Robert Burks, achieved this effect by placing a concave mirror on the floor and having the actress, Laura Elliott, stand next to it as she simulated slowly falling dead to the floor. Elliot’s reflection in the concave mirror as she fell was filmed and the shot was then printed onto the lenses of the glasses (scene on youtube here).
